Stories, and the things that really matter.
Jul. 17th, 2025 09:28 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I recently finished The Rest Of Us Just Live Here by Patrick Ness.
The premise is that in a world where heroes exist, and supernatural events are an every day occurrence, most people just want to live their day to day lives. In the background we have an alien race wanting to take over, but the prince falling in love with one of the chosen ones but that's just what's happening in the background. The actual story is a slice of life about a group of ordinary kids in their final year of school, their dysfunctional parents and the rest of the things that are going on in an ordinary life. The supernatural story is irrelevant (and actually really hokey).
I really enjoyed it! But this is not about a review. It's about a fairly simply fact that a lot of writers seems to miss. We don't actually give a damn about the end of the world. We care about the people it will affect.
A world ending, or universe ending plot is just a MacGuffin. It's not important. In Titanic, it's not really important that the ship sinks. We could replace that with any disaster, as long as there's a possibility of class warfare and peril. Star Wars it doesn't matter so much that the Death Star needs to be destroyed so much as as Luke is the one to destroy it. We want to see the hero beat the odds. We want to people to win.
Far too many stories seem to be about upping the ante, and then fixate on that. Discovery season 4 was about something threatening the galaxy. The Force Awakens had an even bigger Death Star. The Rise of Skywalker upped the ante again with a fleet of planet destroyers, but they fixated on them and they weren't what's interesting. We don't have a a connection to what's at risk. People loved the recent Superman movie. Why? Because it's about the people. Superman says it himself. He's flawed and makes mistakes.
What I don't understand is this; this is not a revelation! This is some pretty basic writing advice that anyone with an interest in writing will tell you. Make characters that people care about. Yet these are professional writers and they seem to think that what we want is bigger MacGuffins. The thing any writing guide will tell you not to focus on. So what's happening?
Are the story decisions being made by the money men? Maybe. Whoever is doing this has lost touch. Don't tell us about the world ending because unless we're invested in the people who just live there, who cares?
The premise is that in a world where heroes exist, and supernatural events are an every day occurrence, most people just want to live their day to day lives. In the background we have an alien race wanting to take over, but the prince falling in love with one of the chosen ones but that's just what's happening in the background. The actual story is a slice of life about a group of ordinary kids in their final year of school, their dysfunctional parents and the rest of the things that are going on in an ordinary life. The supernatural story is irrelevant (and actually really hokey).
I really enjoyed it! But this is not about a review. It's about a fairly simply fact that a lot of writers seems to miss. We don't actually give a damn about the end of the world. We care about the people it will affect.
A world ending, or universe ending plot is just a MacGuffin. It's not important. In Titanic, it's not really important that the ship sinks. We could replace that with any disaster, as long as there's a possibility of class warfare and peril. Star Wars it doesn't matter so much that the Death Star needs to be destroyed so much as as Luke is the one to destroy it. We want to see the hero beat the odds. We want to people to win.
Far too many stories seem to be about upping the ante, and then fixate on that. Discovery season 4 was about something threatening the galaxy. The Force Awakens had an even bigger Death Star. The Rise of Skywalker upped the ante again with a fleet of planet destroyers, but they fixated on them and they weren't what's interesting. We don't have a a connection to what's at risk. People loved the recent Superman movie. Why? Because it's about the people. Superman says it himself. He's flawed and makes mistakes.
What I don't understand is this; this is not a revelation! This is some pretty basic writing advice that anyone with an interest in writing will tell you. Make characters that people care about. Yet these are professional writers and they seem to think that what we want is bigger MacGuffins. The thing any writing guide will tell you not to focus on. So what's happening?
Are the story decisions being made by the money men? Maybe. Whoever is doing this has lost touch. Don't tell us about the world ending because unless we're invested in the people who just live there, who cares?